It was a good year for women in Science Fiction and Fantasy at this year’s Hugo Awards, which were presented this evening in London, at the 2014 WorldCon.
Here are this year’s winners:
I’m thrilled that the Hugo Award for Best Novel went to Ann Leckie’s Ancillary Justice. Leckie has been sweeping the genre’s major awards this year for her compelling tale of vengeance and identity. Ancillary Justice does interesting things with gender, and deftly handles social issues from drug addiction to colonization–wrapping it all up in a richly-detailed galactic epic. I can’t recommend it enough.
She was nominated alongside Charles Stross for Neptune’s Brood, Mira Grant for Parasite, The Wheel of Time, by Robert Jordan and Brandon Sanderson, and Larry Correia’s Warbound, listed in order of votes received.
The award for Best Novella went to Charles Stross’s “Equoid.” It was nominated alongside Catherynne M. Valente’s Six-Gun Snow White, “Wakulla Springs,” by Andy Duncan and Ellen Klages, Brad Torgersen’s “The Chaplain’s Legacy,” and Dan Wells’s The Butcher of Khardov.
Mary Robinette Kowal’s “The Lady Astronaut of Mars“ won the Hugo for Best Novelette. It’s available for free at Tor.com if you haven’t had a chance to read it yet, and it’s another one that I can’t recommend highly enough (full disclosure: I’ve been a student in two of Kowal’s writing courses and I think she’s a delightful human being).
“The Lady Astronaut of Mars” was nominated alongside Ted Chiang’s “The Truth of Fact, the Truth of Feeling,” Aliette de Bodard’s “The Waiting Stars,” and Brad Torgersen’s “The Exchange Officers.” The voters decided not to award a fifth-place in the category, voting ‘No Award’ ahead of Theodore Beale’s “Opera Vita Aeterna.”
The award for Best Short Story went to “The Water That Falls on You from Nowhere”, by John Chu. Chu gave a touching acceptance speech, thanking the many people who have supported and encouraged him as he faced racism and heterosexism to pursue his writing career. His work was nominated alongside “Selkie Stories Are for Losers”, by Sofia Samatar, “If You Were a Dinosaur, My Love” by Rachel Swirsky, and “The Ink Readers of Doi Saket” by Thomas Olde Heuvelt.
“We Have Always Fought: Challenging the Women, Cattle and Slaves Narrative”, by Kameron Hurley won the Hugo for Best Related Work. This is an excellent and well-deserving essay on the history of women in combat, challenging the common narrative that women can’t be heroes of genre fiction because it’s ahistorical. Definitely worth a read if you haven’t seen it yet.
It was nominated alongside Jeff VanderMeer and Jeremy Zerfoss’s Wonderbook: The Illustrated Guide to Creating Imaginative Fiction, Writing Excuses Season 8, by Brandon Sanderson, Dan Wells, Mary Robinette Kowal, Howard Tayler, and Jordan Sanderson, Queers Dig Time Lords: A Celebration of Doctor Who by the LGBTQ Fans Who Love It, Edited by Sigrid Ellis and Michael Damian Thomas, and Speculative Fiction 2012: The Best Online Reviews, Essays and Commentary, by Justin Landon and Jared Shurin.
In the Best Graphic Story category, Randall Munroe won for xkcd: Time, a four-month-long comic that was updated at the rate of one frame an hour. He couldn’t make it to London to accept the award, so Cory Doctorow accepted on his behalf–wearing the cape and goggles in which he’s depicted as a character in xkcd.
Also nominated in the category: Saga, Vol 2, by Brian K. Vaughan and Fiona Staples, Girl Genius, Volume 13: Agatha Heterodyne & The Sleeping City, by Phil and Kaja Foglio and Cheyenne Wright, “The Girl Who Loved Doctor Who,” by Paul Cornell and Jimmy Broxton, and The Meathouse Man, by George R. R. Martin and Raya Golden.
The award for Best Dramatic Presentation, Long Form went to Gravity, written by Alfonso Cuarón & Jonás Cuarón and directed by Alfonso Cuarón.
Best Dramatic Presentation, Short Form went to Game of Thrones: “The Rains of Castamere”, written by David Benioff and D.B. Weiss and directed by David Nutter.
Ellen Datlow took home the Hugo for Best Editor, Short Form. She was nominated alongside John Joseph Adams, Neil Clarke, Jonathan Strahan, and Sheila Williams.
In the Best Editor, Long Form category, the award went to Ginjer Buchanan, nominated alongside Sheila Gilbert, Liz Gorinsky, Lee Jarris, and Toni Weisskopf.
Julie Dillon won this year’s award for Best Professional Artist, nominated alongside Daniel Dos Santos, John Picacio, John Harris, Fiona Staples, and Galen Dara.
Lightspeed Magazine was this year’s winner for Best Semiprozine, nominated alongside Strange Horizons, Apex Magazine, Interzone, and Beneath Ceaseless Skies.
In the Best Fanzine category, the winner was A Dribble of Ink, nominated alongside The Book Smugglers, Pornokitsch, Journey Planet, and Elitist Book Reviews.
The award for Best Fancast went to SF Signal Podcast, nominated alongside The Coode Street Podcast, Galactic Suburbia Podcast, Tea and Jeopardy, The Skiffy and Fanty Show, Verity!, and The Writer and the Critic.
This year’s award for Best Fan Writer went to Kameron Hurley, author of insightful and incisive feminist commentary on the history and future of SFF as a genre and a community. She was nominated alongside Abigail Nussbaum, Foz Meadows, Liz Bourke, and Mark Oshiro.
The Best Fan Artist award went to Sarah Webb. Also nominated in the category: Brad W. Foster, Mandie Manzano, Spring Schoenhuth, and Steve Stiles.
Worldcon also presents the John W. Campbell Award for Best New Writer, which is not a Hugo, but is administered with the Hugos. This year’s winner was Sofia Samatar.
Samatar was nominated alongside Wesley Chu, Ramez Naam, Benjanun Sriduangkaew, and Max Gladstone. I’m thrilled to see Samatar go home with a Hugo, but I’m also pleased that fandom chose to recognize the talents of so many writers of color this year. If you haven’t checked out their work yet, it comes highly recommended. I’m personally really enjoying Samatar’s A Stranger In Olondria.
For more information on this year’s Hugo voting, check out the LonCon 3 site‘s detailed vote breakdown [PDF link].
I wrote previously about the attempt to stuff the ballot box for political reasons this year. I’m glad that fandom saw fit to reject this politicization of its biggest award, but since I’ve already seen folks trolling about ‘social justice warriors,’ this is your reminder that we have a strictly-enforced comment policy.